Sarah Askew All articles
Creative Process

Whose Scoreboard Are You Actually Playing On?

Sarah Askew
Whose Scoreboard Are You Actually Playing On?

Photo: Shixart1985, CC BY 2.0, via Wikimedia Commons

Somewhere around the six-month mark of building something creative online, a quiet shift happens. You stop asking yourself what does success feel like for me? and start asking why don't my numbers look like theirs?

It's subtle. It doesn't announce itself. One day you're genuinely excited about a project you've been pouring yourself into, and the next you're refreshing someone else's analytics dashboard (or imagining what it looks like) and wondering what you're doing wrong.

You haven't done anything wrong. But you have wandered onto the wrong scoreboard.

The Invisible Adoption Problem

Here's the thing about comparison culture in creative spaces — it doesn't just make you feel bad. It actually rewires what you're optimizing for. And that's the part nobody talks about enough.

When you spend enough time watching another creator rack up subscribers, land brand deals, or go viral with a specific type of content, your brain starts filing that away as the template for success. Not their template. The template. Psychologists call this kind of social benchmarking a form of reference point adoption — essentially, you borrow someone else's goalpost and plant it in your own field without realizing you've done it.

Suddenly you're chasing 100K followers not because that number means anything specific to your creative goals, but because that's where someone you admire planted their flag. You're measuring your revenue against a creator whose business model looks nothing like yours. You're second-guessing your aesthetic because a peer's more polished feed seems to be performing better.

None of these are your metrics. They just feel like yours because you've been staring at them long enough.

Why Creators Are Especially Vulnerable to This

Creative work is notoriously hard to measure in the first place. When you're a software engineer, you shipped the feature or you didn't. When you're a creative — a writer, an artist, a filmmaker, a musician — success is genuinely murky. What does a good year look like? What does progress feel like?

Because we don't have clean internal benchmarks, we outsource the measurement. And the internet is very happy to provide us with metrics. Follower counts, save rates, open rates, revenue milestones posted in newsletter footers, podcast download numbers casually dropped in interviews. It's a constant ambient broadcast of other people's scorecards.

Add to that the very human tendency toward upward social comparison — we don't benchmark against people doing worse than us, we benchmark against people doing better — and you've got a recipe for feeling perpetually behind on someone else's race.

The Practical Cost of Playing the Wrong Game

This isn't just a feelings problem. There are real creative consequences.

When you start chasing someone else's metrics, you start making their creative choices. If their short-form video is blowing up, you abandon the long-form essays that actually light you up. If their clean, minimal aesthetic is getting saves, you start second-guessing the maximalist, weird energy that makes your work distinctly yours. You optimize for their audience instead of building yours.

The painful irony is that the creators you're watching? They succeeded because they weren't copying someone else's playbook. They built something specific to their vision, their voice, their version of success. And now that specificity is exactly what you're trying to replicate — which, by definition, you can't do.

You can't copy your way to an original.

Building a Scoreboard That's Actually Yours

So how do you define success on your own terms without floating off into vague, unmeasurable territory? It takes some deliberate work, but it's not complicated.

Start with the feeling, then reverse-engineer the metric. Ask yourself: what would I need to see in my creative work to feel genuinely proud, not just impressive to outsiders? Maybe it's completing a project you've been avoiding. Maybe it's landing three clients who are a real fit for your work. Maybe it's shipping something experimental without apologizing for it. Name the feeling first, then figure out what evidence would confirm you've hit it.

Audit where your current metrics came from. Seriously — sit down and write out the benchmarks you're currently chasing. Then ask, for each one: did I decide this mattered, or did I absorb it from watching someone else? You might be surprised how many of your "goals" are actually borrowed aspirations wearing your name.

Separate lagging indicators from leading ones. Follower count is a lagging indicator — it tells you what already happened. A leading indicator might be something like: did I show up and make something this week? Did I reach out to one potential collaborator? Did I finish a draft? Leading indicators are things you can actually control, and building your success framework around them keeps you in the driver's seat instead of waiting for an algorithm to validate you.

Give yourself permission to have unsexy metrics. Not everything worth measuring is shareable in a case study. "I felt creatively alive working on this project" is a valid data point. "This client relationship felt sustainable and respectful" counts. "I made something I'm genuinely proud of, regardless of how it performed" is a legitimate win. These metrics don't get posted in income reports, but they're often the ones that determine whether you're still doing this work five years from now.

A Note on Peer Awareness vs. Peer Obsession

None of this means you should stop paying attention to what other creators are doing. Awareness is useful. Obsession is corrosive. There's a real difference between noticing that someone's approach to community-building is working well and deciding to experiment with something similar, versus quietly adopting their entire definition of what a successful creative career looks like.

The first is research. The second is identity theft — and you're the one doing it to yourself.

Check in periodically. When you feel that familiar anxiety creeping in while scrolling through someone else's wins, pause and ask: am I getting useful information here, or am I just measuring myself against a ruler that was never made for me?

The Work Is Always Going to Be Yours

Here's the honest truth about creative success: the people who build something lasting almost always did it by getting weird and specific about what they wanted to make, not by reverse-engineering what someone else already built.

Your creative direction isn't a consolation prize for not being someone else. It's the whole point.

So figure out what your scoreboard actually looks like. Write it down. Revisit it when the comparison spiral starts. And then go make something that only you could have made — because that's the one thing nobody else's metrics can touch.

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